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iSpot boosts YouTube measurement

TV measurement company iSpot has completed what it says is a critical phase of its integration with Google’s Ads Data Hub for Measurement Partners for determining the incremental reach of ad campaigns on YouTube and YouTube TV when compared to traditional linear and connected TV. The successful integration, piloted with 11 advertisers across dozens of campaigns, allows iSpot and YouTube’s customers to quantify the unique reach and value YouTube properties deliver as part of overall media investments.

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iSpot is Working With Google To Measure YouTube YouTube TV

iSpot data is being integrated into Google’s Ad Data Hub for Measurement Partners, which will enable customers to better determine the value of YouTube as part of their investment in media campaigns.

The deal is important as YouTube, which owns the larges share of connected TV viewing, looks to compete with traditional TV companies for advertising dollars.

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Brands Focus on Loyalty in the Face of Inflation

“While we expect consumers to maintain spending, a softer and likely uneven pace is projected for the balance of the year,” said the National Retail Federation’s Chief Economist Jack Kleinhenz.

However, the power of brand loyalty serves as a bright spot moving forward.

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Wunderkind International Named a ‘Best Place to Work’ Employer

The Sunday Times partnered with employee experience platform, WorkL, to deliver fresh insights into what makes a Best Place to Work. Using 35 questions from WorkL’s employee engagement survey, and supported by written submissions that showcase core employee-centric initiatives and strategies, the awards measures employee engagement and wellbeing in the workplace, with Wunderkind International being selected in the ‘medium-sized organisation’ category for firms employing between 50–249 staff.

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TikTok adds to Commercial Music Library with Artist Impact Program launch

Distribution partnerships include 411 Music Group, Amuse Inc., Believe, Blowout Inc, Create Music Group, DistroKid, Downtown Artist & Label Services, Epidemic Sound, Falcon Music, Fuse Adventures in Audio, Heavy Duty, JK Records, Mound Media Inc., Music & New Co., Ltd., PT Musica, Score a Score, Songtradr, Stem Disintermedia, SoundOn, Sub Pop, Thematic Music, Two AM Music Global, and Vydia.

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NBA Playoffs Continue to Dominate Weekly TV Watch-Time

Welcome to our weekly snapshot of TV by the numbers, highlighting the most-watched shows and networks for May 8-14, with insights from Inscape, the currency-grade smart TV ACR data provider and data technology division of Vizio. Data is linear, live TV only and includes all episode types (new and reruns). Rankings are by percent share duration (i.e., time spent watching).

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iSpot Now Measures YouTube and YouTube TV Against Broader TV Marketplace

iSpot, the TV measurement company, today announced that it has completed a critical phase of its integration with Google’s Ads Data Hub for Measurement Partners for determining the incremental reach of ad campaigns on YouTube and YouTube TV when compared to traditional linear and connected TV. The successful integration, piloted with 11 advertisers across dozens of campaigns, allows iSpot and YouTube’s customers to quantify the unique reach and value YouTube properties deliver as part of overall media investments.

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YouTube Viewing of Content from Top TV Networks Dominated by Shorts

New data from Tubular Labs indicates that short videos under 60 seconds in length are the best performing content on YouTube that originates from the top five U.S. broadcast and cable properties.

The new Tubular Labs study found that shorts accounted for 34.8% of YouTube views for the top five U.S. broadcast and cable properties from Sept. 2022 through April 2023, up from 27% during the same period from 2021 to 2022.

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Wurl matches viewers to content, targets ROAS with ContentDiscovery ad platform

A FAST like Samsung Plus, for example, might have over 250 channels in the U.S., but making consumers aware or connecting them to that content isn’t always a simple task.“We see from how many channels people watch on Samsung, on Roku, on LG, on Vizio…it’s very little,” Gutman noted. “Most people don’t even know how much access they have to content.”

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